From Negro spirituals to today’s chart-topping gospel hits, African American religious music has continued to evolve and reflect Black culture and spiritual life across America. According to the Library of Congress, spirituals—considered the first distinctive form of American folk music—laid the groundwork for gospel, blues, jazz and several other genres.
For Black Music Month, American Black Journal’s “Black Church in Detroit” series examines the relevance and influence of Black religious music.
Host Stephen Henderson talks with Mix 92.3 FM gospel radio host Dr. Deborah Smith Pollard, a professor emerita of African American Studies at the University of Michigan-Dearborn, and Wayne State University Assistant Professor Dr. Brandon Waddles, who is currently touring with “The Wiz” as associate music director. They trace gospel music’s deep roots and its continuing influence in popular culture.
Pollard cites several contemporary examples of how people are embracing gospel music on television shows and in movies. Plus, Waddles talks about how the revival of the popular theatrical production of The Wiz features songs with strong gospel influences.
Additionally, they discuss how gospel sounds are generational and constantly evolving according to the needs of the community. They also reflect on many of the gospel greats over the years, the importance of the message in Black gospel music, and how African American music continues to evolve and influence itself.